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HD 1080p 24), check the option use 4:4:4 SDI and select 10 bit video bit depth. (checking or unchecking the 4:4:4 RGB option does not show any difference to me so do what you want here)Ĥ - In Resolve go to project settings and change your video format to whatever resolution wit progressive framerate (e.g. In YUV 422 look normal):ģ - In Blackmagic Desktop Video Setup uncheck the option 1080PsF !!
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This is how it worked for me (hope that helps ):ġ - "Secret" Menu: HDMI Signal format -> Video (i didn't use the PC option yet to check if this method works too, but it should).Ģ - Set up the monitor to RGB colorspace (this is how images should look. All the headaches were because of the 1080PsF setting. For the record my device for outputting is a Decklink Mini Monitor 4k PCIe and i'm using the HDMI to get 10bit. I received the monitor today and i was looking for some help and google got me here. Or an idea to something I may have missed.
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sad really.Īnd that the 4:4:4 settings on the monitor didn't respond properly to any signal I sent them (tried FCPX, AVID and PP too)Įxcept the dual link on DP (but I can't configure the HDLink)Īnyone with a working updated version of HDLink or knowledge how to configure it?Īnyone wants to try and duplicate my test on their CG247X? Maybe if I get a copy of HDLink utility from someone I can configure it to dual link and get the in monitor YUV 4:4:4 setting to work.įor now, my partial conclusion is that to get true 4:4:4 monitoring on the Eizo CG247X it has to be connected through DP. I was able to get the YUV 4:4:4 setting in monitor to work but only when connected and set to dual link and it showed a 4:2:2 result. When connecting DP through HDLink I got a satisfactory 4:4:4 result with RGB selected in monitor (see next picture). second is HDMI on 4:4:4 signal (set to 4:2:2 in monitor) and a fake/weak 4:4:4 signal (but only when monitor set to 4:2:2) when resolve is on 4x4įirst picture is HDMI on 4:2:2 signal showing what it should. It does show a proper 4:2:2 signal when resolve outputs it. Using a Mini Convertor, (which has both RGB and 4:4:4 HDMI out) the CG247X does not let me chose the 4:4:4 option with a correct output. I tried in both dual and single link modes. Once that was solved I went back to trying to get the monitor's 4:4:4 option to work in HDMI or in DP. That hue shift was result of conflicting settings between resolve (4:4:4 on) and DV (4:4:4 off) and only noticeable on the test chart. I had a setting from a previous test with output scaling in DV which prevented the 4:4:4 to stay ticked when I saved it. It doesn't for 4:4:4 on my setup (latest version). I was under the impression Resolve governs over DV (and it does when switching between dual and single link). The hue shift on 4:4:4 was caused by 4:4:4 option in desktop video setup being ticked off. Would be glad to know someone was able to duplicate my results. I came up with interesting conclusions (though incomplete) Is it possible it somehow defaults to 4:4:4 when signal from resolve flags it, just doesn't do it perfectly (am I expecting too much)?Īnd that these menu options just make no sense? what should I feed it and how for 4:4:4 selection to look right)? Or where can I find info on how that part of the monitor works (ie. I'm almost sure it shouldn't happen on proper 4:4:4 monitoring but I'll have to wait for Monday to check it on an FSI for reference.ĭoes anyone have experience using 4:4:4 monitoring on the CG247X? or Eizo in general? It seems that DP gives slightly less of it than HDMI. this effect is strengthened when turning 4:4:4 off.įirst picture is DP, second HDMI, third TIFF Ref 100% from comp screen and fourth is how a 4:2:2 signal from Resolve looks (and should look) like. however, both don't give expected 4:4:4 results on the green text/magenta background (top of chart) which appear like a thin dark edge on the (vertical) side of letters where pixels of different values get mixed.

both seem fine (I see clear difference in vertical chroma when turning off 4:4:4 in resolve. I used the Belle Nuit chart to test proper 4:4:4 monitoring on both connections.

this doesn't change if I select RGB or YUV and RGB in secret menu. However, when connected via DP, I can set color space on Eizo to RGB (both 4:2:2 and 4:4:4 YUV look wrong) which I couldn't on HDMI. in both I see clear differences between ramps in 8 or 10 bit mode fed from resolve. On the HDlink (Display Port) I am not seeing great visual differences from Mini Converter set up. So I can't check the settings to see if it would have made a difference.ĭoes anyone have a relatively up to date version of HDlink Utility for Mac?
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I went on and connected the HDlink, but the damn thing doesn't have an up to date app I can download (what I found I can't install properly and seems out of date) Mini Converters do have a utility but it has no RGB/4:4:4 feature.
